The Sunset Limited
outbound from New Orleans to Los Angeles,
and points between, is
Amtrak's designated Train #1.
Sylvia and Dillard are in the Observation Car for the 9am departure having coffee from the train's snack bar, with sandwiches they bought last night on Saint Claude Avenue in New Orleans.
They are listening to Balthazar, who recently repatriated from an offshore oil rig job. He arranged to join the two Red Warrior Women
for their morning lit train ride back to Lafayette.

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Mural / sectionUnion Passenger Terminal New Orleans, Louisiana Commissioned 1951 / Completed 1954
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They met at the loading gate under the Conrad Albrizio murals.
The murals, dating from the 1950s, were nearly lost to lime blooms
following Hurricane Katrina, when the Union Passenger Terminal was pressed into housing prisoners from nearby flooded
Orleans Parish Prison ~
and the terminal was without air conditioning.
"In 1934," Balthazar continues his story, "Myrna Loy and William Powell starred aboard this very train in the film noir adaptation of Dashiell Hammett's mystery novel turned stylish black-and-white post-prohibition cinematic jubilation,
THE THIN MAN.
"In the final scene, outside of Lafayette, the train fades down the tracks flashing a drumhead round sign on its last carriage, proclaiming: Sunset Limited."
Balthazar chews one of the sandwiches and says, "Hard to believe that film was shot ninety-two years ago."
The train has halted near Avondale.
Outside the observation car we see mounds of trash marching off to landfill eternity.
Sylvia points at the towering stacks and grumbles,
"On top of Mount Katrina,"
as the mountain of debris is known to locals and train regulars.
Katrina is Hurricane Katrina, which emptied New Orleans, August 29, 2005
Doors closed, keys turned locks, and Life ended as lived before. Both for the dead (1,392+), and for the living who later returned.
"The dogs barked,
but the caravan moved on.
"A Turkish proverb," Balthazar tells us.
Our train whistles.
We roll on...
Along the tracks at a brownish green spot on the West Bank past the Huey P. Long Bridge, lays
a ghostly yacht beached
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| Sea Oats |
by the Hurricane.
Mast snapped off and lost.
Discarded vessel.
Forgotten now, twenty-one years later. Keel sprung for sure. Hull so faded you can no longer make out her name.
There she sits, someone's lost dream sailing along on sea oats grown up to her gunnels.
Further down the line, next to the Mississippi River levee, we pass a small Cajun farmhouse, with outside stairs and unpainted cypress walls. It is surrounded by flocks of grey and white geese.
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| Foie gras |
"Some French Quarter tourist will eat one of those birds' liver tonight,"
Balthazar tells the women.
🌎
"In another twenty-one years the Louisiana Life we live will be lived differently and by new carpetbaggers who will likely love it as much as we do now.
"That is if it's still here."
For now, we are here
and better off as Sailors on a train than as geese on a platter.
💀🙏💀
© 2026, Leonard Earl Johnson, All Rights Reserved
LAGNIAPPE DU JOUR:
Next Month's Column
⭐Continuation of the Red Women Warriors Series⭐
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 | | © Leonard Earl Johnson |
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