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Leonard Earl Johnson (photo credit Frank Parsley) covered Hurricanes Katrina and Rita (2005), and the 2010 British Petroleum oil spill in the Gulf of Mexico for ConsumerAffairs.com. He is a contributor to Gambit Weekly, New Orleans Magazine, SCAT, Baton Rouge Advocate, Advocate Magazine, The Times-Picayune, Country Roads Magazine, Palm Springs Newswire and the anthologies: FRENCH QUARTER FICTION (Light of New Orleans Publishing), LOUISIANA IN WORDS (Pelican Publishing), LIFE IN THE WAKE (NOLAfuges.com), and more. Johnson is a former Merchant Seaman, and columnist at Les Amis de Marigny, New Orleans; and African-American Village. Attended Southern Illinois University, Carbondale, and Harry Lundeberg School of Seamanship at Piney Point, Maryland. Winner of the Press Club of New Orleans Award for Excellence, 1991, and given the Key to The City and a Certificate of Appreciation from the New Orleans City Council for a Gambit Weekly story on murder in the French Quarter.

Monday, June 01, 2026

✍Twenty-one Years Post-K / June 2026

  

~ Fiction ~

Roman à clef, cher!

Created AI-free

by Leonard Earl Johnson

of Lafayette and New Orleans, Louisiana

 www.LEJ.world

⚓   

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LEJ's 
Louisiana

a monthly e-column at 



Yours Truly in a Swamp

June 2026

🌹


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Twenty-one Years Post-K 

by 

Leonard Earl Johnson

© 2026, Leonard Earl Johnson,  All Rights Reserved
Best viewed for color contrast on a computer
or phone screen with a black background.



The Sunset Limited 
outbound from New Orleans to Los Angeles, 
and points between, is 
Amtrak's designated Train #1.
 
Sylvia and Dillard are in the Observation Car  having coffee from the train's snack bar, with sandwiches they bought on Saint Claude Avenue in New Orleans. They are listening to Balthazar, who recently repatriated from an offshore oil rig job.  

He arranged to join up with the two 
Red Warrior Women 
for the ride back to Lafayette.
 

Mural / section

(Click for More)

Union Passenger Terminal

 New Orleans, Louisiana

 Commissioned 1951 / Completed 1954

 Artist: Conrad Albrizio (1894-1973)


They met at the loading gate under the Conrad Albrizio murals.  

The murals, dating from the 1950s, were nearly lost to lime blooms 
following Hurricane Katrina, when the Union Passenger Terminal was pressed into housing prisoners from the nearby flooded 
Orleans Parish Prison ~
and the terminal was without air conditioning. 

"In 1934," Balthazar continues his story, "Myrna Loy and William Powel stared aboard this very train in the film adaptation of Dashiell Hammett's mystery novel turned stylish black-and-white post-prohibition cinematic jubilation, 


THE THIN MAN.

 

"In the final scene, outside of Lafayette, the train fades down the tracks flashing a drumhead round sign on its last carriage, proclaiming: Sunset Limited." 


Balthazar chews one of the sandwiches and says, "Hard  to believe that film was shot ninety-two years ago."

 The train has halted near Avondale. 

Outside the observation car windows we see mounds of trash marching off to landfill eternity.

Sylvia points at the towering stacks and grumbles, 
"On top of Mount Katrina,
as the mountain of debris is known to locals and train regulars.

Katrina is Hurricane Katrina, which evacuated New Orleans, August 29, 200
~ and ushered in what Donald-go-round Republicans call 'Non- Global Warming'.

Doors closed, keys turned locks, and Life ended as lived before.  Both for the dead (1,392+), and for the living who later returned.
   
⛰ 
      
            ⛰     ⛰ 
       



"The dogs barked, 
but the caravan moved on.
 
"A Turkish proverb," Balthazar tells us.

Our train whistles. 

We roll on...

Along the tracks at a brownish green spot on the West Bank past the Huey P. Long Bridge, lays 
 a ghostly yacht beached
Sea Oats
 
by Hurricane Katrina.
 
Mast snapped off and lost.
 
 Discarded vessel. 

Forgotten now, twenty years later. Hull so faded you can no longer make out her name. Keel sprung for sure.
 
There she sits, someone's lost dream sailing along on sea oats grown up to her gunnels.
 
Further down the line, next to the Mississippi River levee, we pass a small Cajun farmhouse, with outside stairs and unpainted cypress walls. It is surrounded by flocks of grey and white geese. 

Foie gras

"Some French Quarter tourist will eat one of those birds' liver tonight,"
 
Balthazar tells the women. 

🌎

"In another ninety-one years the Louisiana Life we live will be lived differently and by new carpetbaggers who will likely love it as we do now

"That is if it's still here."

We are still here,
and better off as Sailors on a train than geese on a platter.

💀🙏💀

© 2026, Leonard Earl Johnson,  All Rights Reserved

LAGNIAPPE DU JOUR:



Next Month's Column

Continuation of the Red Women Warriors Series
           
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© Leonard Earl Johnson 


If you wish to read any month's column go to 
 Archives: www.LEJ.world
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 LEJ's Louisiana, Yours Truly in a Swamp
is a monthly e-column @ www.LEJ.world,
Hosted by GOOGLE BLOGGER,
and historically at
Les Amis de Marigny, New Orleans
publication of the
It is written by Leonard Earl Johnson
of Lafayette and New Orleans, Louisiana
 
Readers comments accepted after publication on the First of the month

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© 2026, Leonard Earl Johnson, All Rights Reserved