Trains Make Good Walls ~ A Dream / May 2018
LEJ's Louisiana, Yours Truly in a Swamp,
a monthly e-column by Leonard Earl Johnson,
May 2018
~ ~ ~
Trains Make Good Walls
~ A Dream
BY Leonard Earl Johnson
In my seat, alone dozing the last hour before reaching Lafayette, I dreamt of photographers raising their cameras.
Art directors composed men shouldering large silver and gold sledgehammers. Arranging them before my mind's lens, as 'Gandy Dancers' ~ those gangs of mostly black men, who, with muscle alone wiggled and danced heavy iron rails into an alignment that joined the nation by its proud new railroad line ~ linking West Coast gold to East Coast greed.
Art directors composed men shouldering large silver and gold sledgehammers. Arranging them before my mind's lens, as 'Gandy Dancers' ~ those gangs of mostly black men, who, with muscle alone wiggled and danced heavy iron rails into an alignment that joined the nation by its proud new railroad line ~ linking West Coast gold to East Coast greed.
"Why not!" the Trumper tweeted.
"Why not a wall of many railroads stretching from California to Florida. Multiple lines strung with multiple trains running thick as bamboo in the jungle?"
It would follow Amtrak's first coast-to-coast train #1, the Sunset Limited's route, which itself follows the Old Spanish Trail.
"Lets see them beaners get across that!" Trumper twittered, as Ivanka brushed his hair. And Son-In-Law, Jared Kushner un-spooled a 'back-line communication' cable behind his patriotic Family.
 |
| Roseate Spoonbill / Louisiana |
The little Family tableau rode along gold plated escalators, and moving-sidewalks, now running from the White House up The Mall to the big domed Capitol itself.
Kushner's 'back-line' spooled off, then on, then off again ~ fully out of any one's oversight.
A mustachioed face claiming National Security portfolio to the President of the United States, opened an electric notebook. A Google map glowed showing Roseate Spoonbill migration routes. "With almost no difficulty with blow back," the mustache twitched as it talked.
"We can lace migratory feeding sites with chemical-castration drugs that will threaten final solution to their dwindling numbers!"
 |
| Clock Tower bus-bays, Rosa Parks Transportation Centre Lafayette, Louisiana |
What this will do, he told the President, is convince the last doubters that America means business. "Mad business, yes, but business!"
"A plausible crazy threat wins the game!" Trumper twittered, "Just ask my bankers." Ivanka brushed and spoke not. The Son-n-law spooled and spoke not. The escalator escalated.
The dream clock struck 11. We awoke, and the real Conductor called out,
"Lafayette, next stop."
$~$~$
We had been the week in New Orleans In-The-Sea, with Am-trickling rides betwixt and between.
In first-class, coming out of New Orleans there rode an elderly playwright with whom once I nearly collaborated ~ long, long ago.
We each saw the other across the waiting room and thought, "That
looks like... wonder if... whatever became... "
We met on board, in the Club Car, where I'd gone to eat a swoonable salad with moist roasted chicken perfectly seasoned, and packed for the journey at Arabella Casa di Pasta. The old playwright rocked and toddled with the train's motion ~ blaring over the pneumatic door's swoosh, "Didn't you used to be Leonard Earl Johnson?"
We talked for hours. Remembering his pieces at the New Orleans Contemporary Arts Centre. In one routine he disrobed on stage. And how he once ensnarled me in a battle with the august Art Centre's press agent.
He, also, introduced me to the work of Tony Kushner, then a young author of a big Broadway hit, ANGELS IN AMERICA. "It is in revival," the old playwright smiled, "and I'm going to see it in New York, after Boston."
I told him, Tony Kushner grew up in Lake Charles, Louisiana, "Out on the Texas border," and the next station stop after Lafayette. It was something he sort of remembered knowing.
He was traveling on Amtrak's Rail Pass. On his way to Los Angeles! Where playwrights both like and hate to go. Then up the West Coast, to Seattle; cross country, along the Canadian boarder to Chicago, and on to Boston! We were currently on board the first train in the World to carry a name (like a ship), The SUNSET LIMITED ~ the very train in Dashiell Hammett's THE THIN MAN.
We talked for hours. Remembering his pieces at the New Orleans Contemporary Arts Centre. In one routine he disrobed on stage. And how he once ensnarled me in a battle with the august Art Centre's press agent.
He, also, introduced me to the work of Tony Kushner, then a young author of a big Broadway hit, ANGELS IN AMERICA. "It is in revival," the old playwright smiled, "and I'm going to see it in New York, after Boston."
I told him, Tony Kushner grew up in Lake Charles, Louisiana, "Out on the Texas border," and the next station stop after Lafayette. It was something he sort of remembered knowing.
He was traveling on Amtrak's Rail Pass. On his way to Los Angeles! Where playwrights both like and hate to go. Then up the West Coast, to Seattle; cross country, along the Canadian boarder to Chicago, and on to Boston! We were currently on board the first train in the World to carry a name (like a ship), The SUNSET LIMITED ~ the very train in Dashiell Hammett's THE THIN MAN.
Also on board was a newly retired couple from Tucson, Arizona ~
where first I held a Librarian's Assistant job, in the hippie filled Fabled
Sixties. Nostalgia grows older by the day. It is profound being an elder.
AND NOW, to my utter amazement, a space age breathing
apparatus has joined me in the bed, where once youth frolicked.
"And Easter on the River of Bourbon Street would
not have been more-better with divine intervention," my playwright friend said.
Charles Neville
Word arrived just ahead of deadline of Charles Neville's death, at 79, in Massachusetts. I remember a hundred or so years ago, when Charles Neville walked into a party. The Neville Brothers had been World famous a few years, but I was just another sailor in from the Sea and did not know who he was ~ to the amazement of friends with whom we were teaching photography to the imprisoned at Orleans Parish Prison.
The party was at conceptual artist, Dawn DeDeaux's warehouse apartment overlooking the French Market. She directed our prison art program. We were creating the PRISON ART BOOK, a limited edition iron-cell-door covered over-sized book published by the Arts Council of New Orleans. It may be viewed at the New Orleans Main Library; New Orleans Museum of Art; Arts Council; Orleans Parish Prison, and recently an accepted gift to the collection at the Hilliard University Art Museum, University of Louisiana at Lafayette.
~ LEJ.org 
* * *
.JPG) |
Lagniappe du Jour
Go here For
 * * * If you wish to read any month's column go to www.LEJ.org anytime.
They are posted on the first of each month and polished for the next few years.
|
~ ~ ~
 |
| Royal at Kerlerec, Faubourg Marigny, NOLa / photo by Janis Turk |
~ ~ ~
LEJ's Louisiana, Yours Truly in a Swamp
is a monthly e-column @ www.LEJ.org,
and periodically at
Les Amis de Marigny, New Orleans,
publication of the
It is written by Leonard Earl Johnson
of Lafayette and New Orleans, Louisiana
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
© 2018 Leonard Earl Johnson,
All Rights Reserved
posted by LEJ's Louisiana | 6:00 AM
|
3 comments
links to this post
