Trains Make Good Walls ~ A Dream / May 2018
Art directors composed men shouldering large silver and gold sledgehammers. Arranging them before my mind's lens, as 'Gandy Dancers' ~ those gangs of mostly black men, who, with muscle alone wiggled and danced heavy iron rails into an alignment that joined the nation by its proud new railroad line ~ linking West Coast gold to East Coast greed.
"Why not a wall of many railroads stretching from California to Florida. Multiple lines strung with multiple trains running thick as bamboo in the jungle?"
It would follow Amtrak's first coast-to-coast train #1, the Sunset Limited's route, which itself follows the Old Spanish Trail.
Roseate Spoonbill / Louisiana |
The little Family tableau rode along gold plated escalators, and moving-sidewalks, now running from the White House up The Mall to the big domed Capitol itself.
Kushner's 'back-line' spooled off, then on, then off again ~ fully out of any one's oversight.
A mustachioed face claiming National Security portfolio to the President of the United States, opened an electric notebook. A Google map glowed showing Roseate Spoonbill migration routes. "With almost no difficulty with blow back," the mustache twitched as it talked.
"We can lace migratory feeding sites with chemical-castration drugs that will threaten final solution to their dwindling numbers!"
Clock Tower bus-bays, Rosa Parks Transportation Centre Lafayette, Louisiana |
What this will do, he told the President, is convince the last doubters that America means business. "Mad business, yes, but business!"
"A plausible crazy threat wins the game!" Trumper twittered, "Just ask my bankers." Ivanka brushed and spoke not. The Son-n-law spooled and spoke not. The escalator escalated.
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We had been the week in New Orleans In-The-Sea, with Am-trickling rides betwixt and between.
We talked for hours. Remembering his pieces at the New Orleans Contemporary Arts Centre. In one routine he disrobed on stage. And how he once ensnarled me in a battle with the august Art Centre's press agent.
He, also, introduced me to the work of Tony Kushner, then a young author of a big Broadway hit, ANGELS IN AMERICA. "It is in revival," the old playwright smiled, "and I'm going to see it in New York, after Boston."
I told him, Tony Kushner grew up in Lake Charles, Louisiana, "Out on the Texas border," and the next station stop after Lafayette. It was something he sort of remembered knowing.
He was traveling on Amtrak's Rail Pass. On his way to Los Angeles! Where playwrights both like and hate to go. Then up the West Coast, to Seattle; cross country, along the Canadian boarder to Chicago, and on to Boston! We were currently on board the first train in the World to carry a name (like a ship), The SUNSET LIMITED ~ the very train in Dashiell Hammett's THE THIN MAN.
"And Easter on the River of Bourbon Street would
I remember a hundred or so years ago, when Charles Neville walked into a party. The Neville Brothers had been famous a few years, but I was just another sailor in from the Sea and did not know who he was ~ to the amazement of friends with whom we were teaching photography to the imprisoned at Orleans Parish Prison.
The party was at conceptual artist, Dawn DeDeaux's warehouse apartment overlooking the French Market. She directed our prison art program. We were creating the PRISON ART BOOK, a limited edition iron-cell-door covered over-sized book published by the Arts Council of New Orleans. It may be viewed at the New Orleans Main Library; New Orleans Museum of Art; Arts Council; Orleans Parish Prison, and recently an accepted gift to the collection at the Hilliard University Art Museum, University of Louisiana at Lafayette.
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Royal at Kerlerec, Faubourg Marigny, NOLa / photo by Janis Turk |
It is written by Leonard Earl Johnson
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