The Day I Met Augusto Pinochet / July 2020 ✍
On our way in, we came down through the clouds over Brasília. The capitol viewed from above resembles a butterfly, some say. Others say it looks more like an aircraft carrier.
L. A. Norma says, "One might deduce your politics from which you see."
Oscar Niemeyer was one of the 20th Century's soaring architects. Brasília gave him his wings. He died in 2012, at 104. Early in his spectacular career he was hired to teach at Harvard, then he was blocked from entering the United States because of Communist Party membership.
Greeting me at Rio's Aeroporto Galeao was an aide to the United States Cultural Attache. He carried a small, white box with a red silk ribbon that I presumed was for me. But let us face it, I was drunk. He placed me and the box in the rear seat of a large, white Chevrolet, where the box remained when he departed.
It was early morning when my plane reached Rio. The Ambassador and the rest of his staff still slept in their jungle apartments in Brasília. The Cultural Attache was doing likewise somewhere in giant Rio. I stood beside his aide, eyes twirling before the front desk of the Sol Ipanema.
The aide explained to the desk clerk, "Mr. Johnson is more important than he looks."
Casa de Cultura Laura Alvim, on the beach at Impanema Brazil |
The exhibition was titled "Bourbon Street and The Sea." It was inspired by New Orleans photographer, John Ernest Joseph Bellocq (1873 ~ 1949), who immortalized the ladies of Storyville. My exhibition consisted of portraits of male street hustlers in the French Quarter of New Orleans, and merchant sailors around the world.
"America's foreign policy is a baffling beast," Norma says, when this story comes up in conversation.
The exhibition went well, and at the reception afterwards I asked American Airlines' South American Manager if he might bump me up to first class on my return flight.
The aide to the cultural attache said later, "They don't even do that for us."
The South American manager suggested I come see him the next week at his downtown offices near the Old Opera House.
I had already asked the embassy for an advance on my State Department stipend. With it I paid for an extended stay at the Sol.
View from the Sol |
Next morning's beaches drew the song-praised "young and sweet / pure and gentle," dressed as revealingly as the young and sweet should dress.
Me? I was amply hung over and of a girth not given to bodily revelations. Like the song says, I walked on with a sigh, cloaked in what Brazilians would have seen as more like a burka-on-the-beach than proper Seaside attire.
Later, at ground zero for the Bossa Nova, the Veloso Bar,
where Vinicius de Moraes and Tom Jobim first saw Helô Pinheiro, "The Girl From Ipanema".
This outfit had been sewn for me especially for the trip by Shirley Jensen, a late New Orleans matron with needlework famous in her day.
On the day I met Pinochet I was so dressed.
I had walked from my hotel along the beach to a large neighboring resort, the Caesar Park, to take coffee and the afternoon newspapers from Miami.
In front of Caesar Park were several large German cars and one large, lone, white Chevrolet. I glanced in the Chevrolet half expecting to see my lost red-ribboned white box, and met the glare of two large men wearing dark suits and glasses. No white box was seen.
Inside the hotel, the lobby rumbled with similarly dark-suited men, assorted reporters, and cameras with portable lights. I caught the eye of a woman who a few days earlier had interviewed me for Brazil's O Globo TV.
I wore that beach coat for her interview, over a white shirt and tie. It looked rather like an Armani design, I thought. My coat looked "terrific," she had told me. Head swelling, I agreed telling her I had bought it in Lisbon (always a good lily-gilder in Brazil).
I asked her, "What is going on?"
"We are following Augusto Pinochet on a jewelry buying stopover before flying to South Africa for arms shopping."
The hubbub came to a halt around us, and camera lights came alive in front of us. By my side stood Augusto Pinochet wearing a double-breasted pinstriped suit. It should be noted, though he was anything but funny, Pinochet was famous for epaulet-and-cape military dress befitting comic operetta. Today he looked neither comical, large nor menacing. He looked like any Latin businessman. He looked at me.
Augusto Pinochet |
Generalissimo, spoken by itself being known throughout the post World War Two world as the title for Spain's military dictator, Francisco Franco. I had read it was a comparison Pinochet liked.
He smiled and moved on. The lights and crowd followed him.
A waiter in starched whites brought over a cup of black coffee and the Miami Herald.
Late the next morning I went to see the manager of American Airlines' South American interests. His secretary led me into his office and brought us black coffee and a bottle of Wild Turkey.
On a large Amazon-mahogany desk sat a small television with a built-in Video Cassette player. On the screen was Pinochet looking at me in the lobby of the Caesar Park. A voice-over, roughly translated, was saying, "Pinochet in civilian clothing and visiting North American photographer, Leonardo Arl Johnson, wearing a 'Lisbon coat,' meet in the lobby of ..."
On the flight home I sat in first class flanked by deluxe food carts, wine, whiskey and a white box wrapped in a red silk ribbon. Inside were expensive chocolates molded like propellers and other airplane parts.
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