Boeuf Gras ~ The fatted bull or ox in the Rex parade ~ representing sweetly excessive death-to-the-fat, and the beginning of Lenten abstinence (true death). Said by New Orleans journalists-emeriti and Mardi Gras overseers Arthur Hardy, and Errol Laborde to be the most photographed sight of Carnival.
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Boeuf Gras ~ Rex parade ~ Mardi Gras ~ NOLa |
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Captain ~ Leader of each Mardi Gras organization.
Court ~ The king, queen, maids and dukes of each Mardi Gras organization. There is a hierarchy here culminating in Rex (Latin for King) However, no court or krewe is more important than the one you are in.
Rex ~ One of the "Big Four" oldest krewes of New Orleans Carnival. Founded in 1872 and calling itself, The School of Design. Ponder such a krewe name ~ with its religious, mythological and historical resonance ~ and you will see dimly into the mysteries of Carnival.
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Doubloons ~ Coin-like objects bearing some
Krewe insignia on one side and the parade theme on the obverse. Doubloons were first introduced 1959-60 by New Orleans artist H. Alvin Sharpe. They were gold colored aluminum and first thrown by Rex in 1960. For a few years ~ even after being adopted by other krewes ~ they were generically called Rex Doubloons. Today doubloons are thrown by many krewes in various colors, themes and names.
Favor ~ This is a personalized souvenir. Given by organization members to friends.
Invitation ~ A non-transferable printed request for attendance at a Mardi Gras ball.
King Cake ~ This is an oval bread or cake gussied up (traditionally brioche but today anything).
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King Cake with Baby |
Sugared, like a 'Brioche Royal'
with Mardi Gras tri colored sugars, and baked with a plastic baby doll hidden inside.
It is called 'King Cake' because it commemorates the visit of the Three Kings to see the Baby Jesus, literally a Christian epiphany.
Epiphany meaning a first-appearance or manifestation of a divine being. In this case, the three Kings (representing the people of the world) seeing for the first time the Baby Jesus, a new God (at least a new branch of an old one). The baby doll is loosely seen as the Epiphanous Baby Jesus, and concurrently all temporal joys-on-Earth.
Widely overlooked by brethren of the secular press, the 2021 U. S. Capitol Insurrection occurred on Epiphany. The flock following Their Donald's instructions from the podium, stormed the United States Capitol chanting, "Hang Mike Pence," on January 6. Seen through theological eyes this is a monumental coincidence ~ or even an act of Divine Guidance.
Had things gone any more badly for Vice President Pence, that Holy Day, he could have ended up dangling from a lamp post, while other Republicans jubilated before the manifestation of their new God, presumably Donald John Trump.
"We live in curious times," L. A. Norma tells our pedicab driver.
In faithful Louisiana tradition the date was not overlooked here. While Republicans pondered hanging their Vice President, and COVID-19 gnawed America into lockdown, we defiantly ate King Cakes and talked of our next party ~ or rather ~ if there would be one.
Songwriter Al Johnson's beloved Carnival Time opens with the line, "The Green Room is smokin' and the Plaza's burnin' down / Throw my Baby out the window, let those joints burn down..." An act of rescue or callous disregard? Or, as we see it in Louisiana, both!
The person who finds the doll in their cake slice is crowned "King." A king without duties other than buying the next colorful cake and giving the next King Cake Party.
If this baffles and prompts you to judge us as
'Very Odd Creatures from The Swamp,'
remind yourself that we feel much the same about your Insurrection. Plus, our Carnival doesn't hurt anybody ~ if you discount a few chickens, a possibly deserving gangster, and an occasional tourist.
"All of whom we have in ample supply," L. A. Norma says, blowing smoke into the faces of a group of celebrants from Texas.
In New Orleans, the first Carnival parade each year is on Epiphany and is organized by a happily knit group of swells on Twelfth Night, January 6, King Cake Day, a.k.a. Epiphany. This krewe calls themselves the Phuny Phorty Phellows.
They are made up of a 1981 incarnation of 1878 revelers ~ who neither looked nor acted much like anyone today.
Originally parading on foot on Mardi Gras Day, behind Rex. Today they ride the Saint Charles Streetcar in colorful costumes, on Epiphany night. Sometimes with brassy music. Around car stops and the Car Barn can be good spots to see this first-of-season show.
Krewe ~ a generic term for all Carnival organizations and clubs. Greek, Roman and Egyptian mythology are sources for half the krewe names. Some clubs are named after neighborhoods, while others are named after historical figures or places.
Photos courtesy of Krewe of Rio en Lafayette
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Clubs are chartered by most cities as non-profit entities and are financed by dues, by sale of krewe-emblemed merchandise to members (who give them as favors) and by fund-raising projects. Mardi Gras krewes are sometimes involved in charity work. But not much.
Lundi Gras ~ French for Fat Monday (Mardi Gras is French for Fat Tuesday). "Fat" is a broad term for prosperity and joy, the very things being done in Carnival-excess before somber Lent takes them all away.
The Day before Mardi Gras from 1897 to 1917 was celebrated by arrival of Rex aboard a steamboat on the Mississippi River. In 1987, under the New Orleans Mayoralty of Sidney Barthelemy, a local book learned Creole Catholic-seminarian turned Tulane trained master-of-sociology ~ with mild manners and movie star looks ~ revived the practice. Ultimately with the addition of King Zulu.
Each year since ~ aboard separate vessels ~ and for a few years, Rex came on the streetcar. (Alas, our kings and gods are, like the Baby Jesus, very much human.)
Eventually Zulu and Rex arrive at Spanish Plaza and greet each other, "There at the foot of Poydras Street."
"One River Two Boats!" ~ L. A. Norma wrote at the time in a letter to the old Times-Picayune daily.
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Comus ~ One of the oldest krewes. First paraded in 1857 ~ four years before the Confederate Secession ~ with the parade theme: The Past, The Present, The Future.
Comus does not currently parade ~ a bitter hangover from political battles with former City Council Woman, Dorothy Mae Taylor, over race restrictions in luncheon clubs and Carnival krewes.
Comus and Rex still hold an elaborate meeting-of-the-courts ball on Mardi Gras night. But only Rex parades.
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Henri Schindler, Carnival Artistic Designer
(An unlikely job description in Minnesota!)
In this Vimeo video, Herr Schindler makes a touching statement
on the meaning of Mardi Gras among
New Orleans old line artistic circles.
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Nineteen years after The War, in 1884, the first Queen of Comus was Mildred Lee, daughter of defeated Confederate General Robert E. Lee, subject of the Lee Monument once on Saint Charles Avenue at Lee Circle, by Alexander Doyle. Targeted in 2015 and removed by Mayor Mitch Landrieu
"You lose, you blues,"
a musician I know says.
New Orleans is a city built in a bend on The River, and organized around Carnival.
Old line New Orleans comedian, Chris Champagne, tempered with cheeky Carnival spirit has been seen feigning the Sign of The Cross while saying, "Comus, Momus, Proteus and Rex," the big four of old line New Orleans krewes. Every Orleanian alive today understands that joke.
Zulu ~ A black krewe formed some forty years after the Civil War, and the post-War 'wars'.
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click image to read caption |
Battle of Liberty Place ~ a Reconstruction era battle that took place at the foot of Canal Street in front of today's Harrah's Casino. The battle's monument was in the news lately as it, too, was targeted by Mayor Landrieu for removal.
Another Confederate memory banished to the land of out-of-sight-dom. This one a particularly painful memory.
The obelisk commemorates the bloody battle of 14 September 1874. It was a terrorist plot that removed the elected governor, William Pitt Kellogg. The inscription on the monument refers to the National Elections two years later ~ 1876 ~ as the moment that ended failed-Reconstruction, and united Louisiana White Supremacy with Yankee Jim Crow Laws. Names of whites fallen in the battle were chiseled in the stone. Names of fallen blacks, though they were sworn and uniformed policemen, were not.
Heartless? Yes, but remember the 2021 Capitol Riot also attacked and killed uniformed police. And most Republican members of the very chambers the police died defending heartlessly discounted their sacrifice.
"That is how they numb the masses, and set de facto wage-slavery into the constitutional law of the land," our pedicab driver says, passing Norma's Camel Cigarette.
"At best!" Norma chortles from inside her plume of Camel smoke.
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Some think both insurrections should be sharply remembered.
In words like William Faulkner's, "Our past is not forgotten, it is not even passed."
And Action! Two out-of-town deconstruction companies hired to remove New Orleans' Confederate memorials asked out of their contracts because of death threats. One, H and O Investments owner, David Mahler, had his $200,000 Lamborghini torched in the company's Baton Rouge parking lot. Eventually down the statues came, and they are being warehoused somewhere undisclosed.
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For three days, in September of 1874, Governor Kellogg and his cronies (krewe?) took refuge in the recently built U. S. Custom House and Post Office, a handsome Union thumbprint first opened in 1856 ~ as war clouds gathered ~ and serving through the Nineteenth Century (including all the years of War Between the States) as the U. S. Post Office and U. S. Custom House.
Remember NOLa spent The War occupied, having surrendered about one year to the day after New Orleanian, P. G. T. Beauregard fired The War's 'first shot' on Fort Sumter, in Charleston harbor (April 12, 1861). The first Yankee reached the steps of Gallier Hall (then NOLa's City Hall) on April 29, 1862. New Orleans surrendered without resistance.
The Old Custom House still stands, at 423 Canal Street, across North Peters Street from Brooks Brothers, and not more than a block away from the site of the Battle of Liberty Place. Today the crestfallen edifice is home to the Audubon Butterfly Garden and Insectarium.
"The Bug House," Norma calls it.
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The following is one of history's odder foot notes ~ a darkly clouded background to Louisiana's Devil-may-care Carnival. It involves clueless white Louisianans sending a delegation to now President Grant, offering help reopening the Port of New Orleans by establishment of a new confederacy.
The 1874 insurrection, commemorated by the Liberty Place Obelisk, was drummed up by the Crescent City White League, a group of Confederate sympathizers, planters, and World traders who wanted what everyone wanted. At least everyone who was a World trader, planter, or Confederate sympathizer.
Hell, even President Grant wants this, they reckoned. Because, an ill-functioning Port of New Orleans makes for an ill-functioning Western Expansion of the United States.
If the Louisiana Purchase... Hell, the very War Between the States, itself, were for anything ~ more than evil slavery ~ it was for this Western Expansion, and the newly discovered California gold! Grant would be too! So felt the White League-rs, anyway.
It was, however, reestablishment of a Confederacy they were advocating, though this time allied more with Washington thinking, and less with London's. London?
"Yes, London England," Norma explains. Long in a tissy over Spain and Portugal getting all the New World gold, when all England ever got was stuffy Bostonians ~ and later T. S. Eliot."
London agitated for the war, built some of it, e. g., CSS Alabama, a sloop-of-war built in the River Mersey, opposite Liverpool. London supported the South and would have been on the first train to the mine fields had things gone differently.
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Back to the Louisiana White League. These masterminds earlier sent a delegation to plead their case before Ulysses S. Grant, recently home from The War, and newly elected to steady the wheel of the U. S. ship of state.
They told President Grant their Big Swamp City, port of New Orleans would make a fine seat for a new confederacy.
Having personally just fought the Civil War to defeat Robert E. Lee and such a Confederacy, Grant reasoned he must now send in troops to free Governor Kellogg, imprisoned at the foot of Canal Street in New Orleans. He said no to the boys from Louisiana, and sent them safely home to moan and groan over their grillades and grits for the next two centuries.
One wonders if Grant might have hanged them ~ it was surely treason they were preaching. Or were they civil and polite at a meeting that might have taken place at the Willard Hotel? Grant is known to have favored the Willard. Did they drink whiskey? We figure Grant did. Did any of the Louisiana boys visit the famous pleasure houses of the victorious capitol? We figure they did.
Some of the men in the Louisiana delegation were from Grant Parish, founding site of the Louisiana White League.
Grant Parish is a 1869 "Reconstruction Parish." There were eleven such parishes created from what had been Winn and Rapides Parishes before The War.
It is in an English part of Louisiana ~ around Alexandria and Pineville ~ and where William Tecumseh Sherman once lived.
Here lies an even stranger story.
Sherman was from Ohio, and a recent graduate of West Point. He was not yet a Union general when he was hired, in 1859, as first president of the newly founded
Known as "The Little Seminary," in its day. Later it moved to Baton Rouge and changed its name to Louisiana State University.
Yes, boys and girls, the first president of L. S. U. was
William Tecumseh Sherman!
"That's why former Louisiana governor, Piyush 'Bobby' Jindal's hired D. C. groomers ..." Norma giggled at herself through a cloud of cigarette smoke, and went on, "... thought they could starve L. S. U., during Jindal's foolhardy run against The Donald, for the White House!
"Pleasing both his heartless D. C. handlers, and his headless hometown Rome-burners."
We all laughed, tippled, and tossed beads to mindless tourists.
"Sherman burned Atlanta,"
our pedicab driver said,
"Bobby Jindal burned Baton Rouge!
"Both of them Republicans, too!"
Norma laughed, from inside her cloud of smoke.
Originally Zulu poked heavy-handed fun at the white krewes, and would neither publish their parade route nor apply for City parade permits. They prefered to catch up with Comus, Momus, Proteus, or Rex, and taunt them unannounced.
The old line krewes did not like this and had been working for some way to stop it ever since it started.
"You can imagine the indignity of a float full of white-faced blacks coming up behind your Fatted Ox throwing coconuts!" Norma says this to visitors as she blows Camel Cigarette smoke in their faces ~ this time of year likely laced with medicinal Marijuana.
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Mayor Barthelemy's 1987 solution softened the satire and years earlier Zulu began obtaining parade permits and publishing their parade route, usually following the Rex Parade.
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Rex
Members of Rex generally feel Carnival is built around their focal point. If not them alone, then the four Old Line Krewes of Comus, Momus, Proteus, and Rex. For some this is true. For most it is not. But for everyone they are one splashy part of the spectacle ~ as noted earlier, the greatest free show on Earth ~
L. A. Norma says, "Carnival is what you make of it."
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