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Leonard Earl Johnson (photo credit Frank Parsley) covered Hurricanes Katrina and Rita (2005), and the 2010 British Petroleum oil spill in the Gulf of Mexico for ConsumerAffairs.com. He is a contributor to Gambit Weekly, New Orleans Magazine, SCAT, Baton Rouge Advocate, Advocate Magazine, The Times-Picayune, Country Roads Magazine, Palm Springs Newswire and the anthologies: FRENCH QUARTER FICTION (Light of New Orleans Publishing), LOUISIANA IN WORDS (Pelican Publishing), LIFE IN THE WAKE (NOLAfuges.com), and more. Johnson is a former Merchant Seaman, and columnist at Les Amis de Marigny, New Orleans; and African-American Village. Attended Southern Illinois University, Carbondale, and Harry Lundeberg School of Seamanship at Piney Point, Maryland. Winner of the Press Club of New Orleans Award for Excellence, 1991, and given the Key to The City and a Certificate of Appreciation from the New Orleans City Council for a Gambit Weekly story on murder in the French Quarter.

Thursday, June 25, 2026

DRAFT / July 2026 Ruthie

 

Yours Truly in a Swamp


Ruthie, 
the Late Duck Lady of 
Old New Orleans

by
Leonard Earl Johnson

Β© 2026, Leonard Earl Johnson / All Rights Reserved 

Reprinted from Les Amis de Marigny, New Orleans,
October 2008 / photo credits: Frank Parsley

* * *
Ruthie, seems like we barely knew you, though we lived within a couple blocks of each other for thirty-something years.  You regularly zoomed by on roller skates, wearing a wedding veil, holding a big white duck and a rolled up poster of you roller skating by, wearing a wedding veil and holding a big white duck. You were existential infinity.


Sometimes you spoke as we pedaled along on Feather Bike, our yellow-feathered 
Huffy bicycle. 

Once we rode a French MotobΓ©cane, a bicycle we took with us to Sea, "when we wore a younger man's clothes."

That French bike was stolen by a newly released ex-con you said you knew and hated. He noticed our casual, below Canal Street, lifestyle and jumped over the fence and plucked our MotobΓ©cane and its collection of prized travel stickers.
We mourned those stickers -- an irreplaceable collection -- more than the bicycle itself.


You said, "Get a duck. I got a duck. Ain't nobody ever stole no duck."

Maybe, though sometimes they ran them over.


* * *

When dumpy, comical Feather Bike replaced my elegant French MotobΓ©cane, Ruthie looked at its boisterous yellow feathers, and said, "Looks like Bigbird."


"You ought to know, Ruthie," we said. "Don't they call you the Duck Lady?"

Ruthie sometimes sat on her stoop, a traditional downtown New Orleans pastime, watching clouds ("gathering cotton"), contemplating the weather, Life and, maybe, her next Budweiser and Kool Cigarette.

"You got a little beer, for later? A little cigarette, for later" was Ruthie's way of offering to accept a beer and cigarette, but not that she expected to return the favor. Ruthie was a no-strings, free citizen of the neighborhood.

She enjoyed sitting atop bar stools at Pat O'Brien's, on Saint Peter, and Crazy Shirley's, on Bourbon. We met for the first time at Crazy Shirley's. It was that era when the Fabled Sixties were morphing into the 1970s. Our best friend from college was a reporter for the Associated Press newly assigned to New Orleans. I had came from Illinois to pend a early Southern  Spring exploring the French Quarter.  I walked through a magical barroom door and there sat Ruthie and a big white duck.

She accepted a beer from the bartender. Complete with a saucer for the duck. She got "a little cigarette, for later" from a man, in a white-and-red striped shirt, standing just outside selling Lucky Dogs. He also gave Ruthie's duck a piece of hot dog bun.

At dinner, that night, my reporter friend told me the story of Ruthie, the Duck Lady -- a proud marcher in New Orleans parade. After hearing that how could anyone of spirit live anywhere else? Within the year I signed up and moved in, next to Ruthie's world.



* * *

Ruthie had a voice like Donald Duck's Cajun cousin. She was born Ruth Grace Moulon, at Big Charity Hospital, in New Orleans, of parents from Plaquamines, a small town West of the Mississippi River near Baton Rouge. As a child she was sickly and lonely. As an adult she was not.

She died at seventy-four, September 6, 2008, from cancer, in Our Lady of the Lake, a residential care facility in Baton Rouge, where she had been evacuated for Hurricane Gustav.

Ruthie gained her four-score-and-more drinking like a fish, smoking like a chimney, cursing like a sailor, and staying out all hours of the night and day, subsisting on a diet of salt, sugar and preservatives ~ washed down with Budweisers and smoke.

Many are the pure fallen to an earlier grave.



* * *

Ruthie befriended most people, and all ducks. Easter was a big day on her liturgical calendar. Many ducklings began their relationship with Ruthie as an Easter offering from friends and tourists who passed the little balls of fluff into her welcoming hands, in Jackson Square, in front of Saint Louis Cathedral.

She lived a careless life, and so did her ducks. None of them lasted as long as she did. Most did not make it to the next Spring. But they all seemed happier for the company.

Any one who knew Ruthie knew some colorful version of her car-smashed-duck story. They all ended with Ms. Ruthie bending over the carcass telling the fallen fowl to stay on the sidewalk next time.

The sweetest version came from her friend, David Michel, a New Orleans Police Officer who was working off-duty detail, at Pat O'Brien's when informed Ruthie's last duck had been flattened by an automobile outside, on the corner. He immediately dispatched a driver to City Park to scoop up a replacement.


* * *

We sometimes drank beer with Ruthie. And laughed with her. And, truth be told, at her. She was amusing, and -- dare we say it -- an odd duck we are better for knowing.

We met her boyfriend, Gary Moody, after Hurricane Katrina. 
We had all grown older, and she had moved Uptown, to the Saint Charles Health Care facility. It was from there she was evacuated to Baton Rouge.

Gary Moody had been a sailor on shore leave, in 1963. They met once, on Bourbon Street, and kept up a lifetime postcard correspondence.

Ruthie referred to him all the rest of her life as her boyfriend and, sometimes, her husband. Many felt she had made him up. Until he flew down from Minnesota to dance at her sixty-seventh birthday party, at Rock β€˜N’ Bowl, on January 20, 2000. The party was organized by friends as dear as any on this side of Judgement Day.


Videographer, Rick Delaup has an excellent film of Ruthie in a collection done of free souls of old New Orleans. There you can again see Ruthie, her small body bent over, roller skating down Bourbon Street, wedding veil flying, a white duck cradled in her arms.



* * *

Once, my Mother, a stern Illinois-German, came to visit. On a walking tour of the French Quarter, we happened upon Ruthie, who asked for a little cigarette for later, then skated off.

My Mother listened to the story of Ruthie's admirable self reliance and neighborhood color. Then said, "Someone should put her in a home, where she can be better taken care of."

The week after that visit, we saw Ruthie walking along Conti with a briefcase-bearing woman in a severe black suit. "A state social worker?" I thought, "my Mother done dropped a nickel on Ruthie!"

Later that same day, we again spotted Ruthie sitting at the bar at Crazy Shirley's. Over a beer we asked, "Ruthie, who was that woman we saw you with, earlier today?"

'What, who?" she said in her Donald Duck accent.

"I don't know who. Some woman in a black suit with a briefcase. You were crossing Conti, at Royal."

"Naw," she said, "must'a been someone who looked like me." The bartender and two flies at the trough laughed. Ruthie smiled her flap jaw snaggle-toothed grin, and lifted her beer. 


How we could use that laugh again today.


Ever since Hurricanes Katrina and Rita gave a one-two near-death blow to our Paris of the Swamps, we have walked her battered streets remembering friends who have gone before. Friends who once lived here, above that shop

and there, beside that bar. We wonder where they are now. And do they know about the Storm?  We pass Ruthie's old place. She lived next to 1313 Dauphine, an address that once belonged to Clay Shaw, the man New Orleans District Attorney, Jim Garrison, accused of conspiracy to murder John F. Kennedy.

Both Shaw and Garrison are long gone to their reward. Do they sit somewhere in The Great Beyond chewing over who killed JFK? We wonder if any one has told them about The Hurricanes of '05?

Oh, God, in your ultimate good humor, please let it be Ruthie who brings them the word.

Β© 2026, Leonard Earl Johnson / All Rights Reserved

Monday, June 01, 2026

✍Twenty-one Years Post-K / June 2026

  

~ Fiction ~

Roman Γ  clef, cher!

Created AI-free

by Leonard Earl Johnson

of Lafayette and New Orleans, Louisiana

 www.LEJ.world ✍

βš“

βš“   βš“

πŸ’œπŸ’šπŸ’›

 *  ~  *  ~  *  ~  *  ~  *  ~  *  ~  *  ~  *  ~  *  ~  


πŸ“–


πŸ—£πŸ˜·

LEJ's 
Louisiana

a monthly e-column at 

✍


Yours Truly in a Swamp

June 2026

🌹


~  *    ~  *  ~   ~  *  ~


Twenty-one Years Post-K 

by 

Leonard Earl Johnson

Β© 2026, Leonard Earl Johnson,  All Rights Reserved
Best viewed for color contrast on a computer
or phone screen with a black background.

✍


The Sunset Limited 
outbound from New Orleans to Los Angeles, 
and points between, is 
Amtrak's designated Train #1.
 
Sylvia and Dillard are in the Observation Car for the 9am departure having coffee from the train's snack bar, with sandwiches they bought last night on Saint Claude Avenue in Faubourg Marigny. 

They are listening to Balthazar, who recently repatriated from an offshore oil rig job. He arranged to join the two Red Warrior Women 
for their morning train ride back to Lafayette.
 

Mural / section

(Click for More)

Union Passenger Terminal

 New Orleans, Louisiana

 Commissioned 1951 / Completed 1954

 Artist: Conrad Albrizio (1894-1973)


They met at the loading gate under the Conrad Albrizio murals.  

The murals, dating from the 1950s, were nearly lost to lime blooms 
following Hurricane Katrina, when the Union Passenger Terminal was pressed into housing prisoners from nearby flooded 
Orleans Parish Prison ~
and the terminal was without air conditioning. 

"In 1934," Balthazar continues his story, "Myrna Loy and William Powell starred aboard this very train in the film noir adaptation of Dashiell Hammett's mystery novel turned stylish black-and-white post-prohibition cinematic jubilation, 


THE THIN MAN.

 

"In the final scene, outside of Lafayette, the train fades down the tracks flashing a drumhead round sign on its last carriage, proclaiming: Sunset Limited." 


Balthazar chews one of the sandwiches and says, "Hard  to believe that film was shot ninety-two years ago."

 The train has halted near Avondale. 

Outside the observation car we see mounds of trash marching off to landfill eternity.

Sylvia points at the towering stacks and grumbles, 
"On top of Mount Katrina,
as the mountain of debris is known to locals and train regulars.

Katrina is Hurricane Katrina, which emptied New Orleans, August 29, 200
~ and ushered in what Donald-go-round Republicans call 'Non- Global Warming'.

Doors closed, keys turned locks, and Life ended as lived before.  Both for the dead (1,392+), and for the living who later returned.
   β›°
β›°
β›° 
β›°      β›°
            β›°     β›° 
   β›°    β›°

β›°


"The dogs barked, 
but the caravan moved on.
 
"A Turkish proverb," Balthazar tells us.

Our train whistles. 

We roll on...

Along the tracks at a brownish green spot on the West Bank past the Huey P. Long Bridge, lays 
 a ghostly yacht beached
Sea Oats
 
by the Hurricane.
 
Mast snapped off and lost.
 
 Discarded vessel. 

Forgotten now, twenty-one years later. Keel sprung for sure. Hull so faded you can no longer make out her name. 
 
There she sits, someone's lost dream sailing along on sea oats grown up to her gunnels.
 
Further down the line, next to the Mississippi River levee, we pass a small Cajun farmhouse, with outside stairs and unpainted cypress walls. It is surrounded by flocks of grey and white geese. 

Foie gras

"Some French Quarter tourist will eat one of those birds' liver tonight,"
 
Balthazar tells the women. 

🌎

"In another twenty-one years the Louisiana Life we live will be lived differently and by new carpetbaggers who will likely love it as much as we do now

"That is if it's still here."

For now, we are here
and better off as Sailors on a train than as geese on a platter.

πŸ’€πŸ™πŸ’€

Β© 2026, Leonard Earl Johnson,  All Rights Reserved

LAGNIAPPE DU JOUR:



Next Month's Column

⭐Continuation of the Red Women Warriors Series⭐
           
         * * * * * * * * * * * * * * * * * * * * * * * * *

Β© Leonard Earl Johnson 


If you wish to read any month's column go to 
 Archives: www.LEJ.world✍
~   ~   ~
 LEJ's Louisiana, Yours Truly in a Swamp
is a monthly e-column @ www.LEJ.world,
Hosted by GOOGLE BLOGGER,
and historically at
Les Amis de Marigny, New Orleans
publication of the
It is written by Leonard Earl Johnson
of Lafayette and New Orleans, Louisiana
 
Readers comments accepted after publication on the First of the month

πŸ—£πŸ˜·

Β© 2026, Leonard Earl Johnson, All Rights Reserved 

Friday, May 01, 2026

✍Trains Make Good Walls, Dream #2 / May 2026

~ Fiction ~

Roman Γ  clef, cher!

Created AI-free

by Leonard Earl Johnson 

of Lafayette and New Orleans, Louisiana

Color contrast best on black screen

 www.LEJ.world βœ

βš“

βš“ βš“


Amtrak's northern wall
courtesy of Amtrak


    
πŸ’œπŸ’šπŸ’›

 *  ~  *  ~  *  ~  *  ~  *  ~  *  ~  *  ~  *  ~  *  ~  













LEJ'S LOUISIANA 
 a monthly e-column at 

πŸ“–
πŸ’›


Yours Truly in a Swamp

May 2026


~  *    ~  *  ~   ~  *  ~



Trains Make Good Walls 

 Dream #2  ~

BY  Leonard Earl Johnson
Β© 2026, Leonard Earl Johnson, All Rights Reserved

🍞 πŸ₯–
🍷

                
In my train seat, dozing the last hour before reaching Lafayette, Hub City of Acadia.  

I dreamed photographers raised their cameras.  Art directors composed men shouldering oversized silver and

gold 
Gandy Dancers
sledge hammers
.

The men are
 'Gandy Dancers' ~ those gangs of mostly black men who, with muscle alone, wiggled and danced heavy iron rails into an alignment that joined the nation by a new iron road ~ an umbilical cord linking West Coast gold to East Coast greed. 

"Why not!" The Donald tweeted.

 "Why not a wall of railroads stretching from West Coast to the Eastern Seaboard.  

"Multiple rail lines strung with multiple trains running thick as Vietnam bamboo lies?"  

Recalling the Vietnam not-war, the Donald offered to show his bone spurs to the assembled reporters.  They turned away. 

"See, folks, fake news!" He twitted. 

"If Elizabeth Warren showed her tomahawk, press rats would be on it like editors on cheese.

"But my war wounds?  Nothing!" 

πŸš„..................................

Image result for Sunset Limited amtrak images

The Wall of Trains could follow north along Canada's boarder, and south along the route of America's first coast-to-coaster ~ first train to carry a personified name, the Sunset Limited, Amtrak's train #1, with a cross-country route dating back to the Old Spanish Trail.  

The Donald sweated and twittered, "Move over, infiltrators.  

"Pay up and say
'Here we come no more.' "

Tourism agents, airline officers, and festival organizers grimaced.

He twittered, as daughter 
Ivanka brushed His hair and stroked His wallet bloated with Russian Rubles 

Son-in-law Jared Kushner unspooled 
communication lines to the Kremlin. He was shielded behind the back of the genetically pure, highly self-esteemed, supremely self-proclaimed uber-patriotic, and red-blooded Klan of The Donald-Go-Round.

"A supremely legal back channel," explained Stephen Miller, head gargoyle to The Donald.

Behind them a righteous chorus of Evangelical Preachers sang,


πŸ•ͺ

The Family Klan rode in a manner befitting American nostalgia.  They moved effortlessly along gold plated escalators and moving-sidewalks running from the White House up The Mall to the big domed Capitol on the Hill.

"Streets paved with gold," The Donald-go-round called out.

Steven Miller called back, "Immigrants done been told."

Out in front of them, bent-backed and whisking away obstacles in their path were Republican regulars led by grim-faced Moscow Mitch McConnell of Kentucky.

Toe-and-heel men followed. Then, spokes-critter lawyers for powerful U. S. Chambers of yes-men clearing a way growing darker with each step of their boot and sweep of their broom. 

"For smaller decentralized government," Moscow Mitch laughed uproariously, slapping the United 
states Attorney General, Pam Bondi across her departing back. Attorney General Bondi shook her long hair and wrinkled brow while hooting derisive puffs of laughter like an old steam engine.  

The two chortled, "After us who cares what floods."

They swept, giggled and farted off down the gold-plated road.

Kushner's 'backchannel cable' spooled on, then off again. Fully out of any one's oversight.

Roseate Spoonbill
A mustachioed face once briefly claiming 
National Security portfolio to the President of the United States, opened an electric notebook.  A Google map glowed into focus.  It showed Roseate Spoonbill migration routes.

"With no fear of blow back," he said.  His mustache twitched as he talked, tickling the President's earlobe sending a not unpleasant tingle all the way down to his spurs.

"We can lace migratory feeding sites with chemical-castration drugs that will threaten a perfect final solution to their endangered numbers!"

"What this will do," he told the President, leaning ever closer to his ear, "is convince the last doubters that America means business.  

"Crazy business, to be sure, but business that will bend them to Your perfect will!"

"A plausible crazy threat wins the game!" The Donald twittered, "Ask my New York bankers."  

Ivanka brushed and spoke not.  The Son-in-law spooled and spoke not.  The escalator escalated speaking tons.  

We awoke with the real Conductor calling, 
"Lafayette next stop."


 
 

We stretched our arms overhead and stepped off the train ~ and to the side ~ away from the foot traffic pouring out behind us.  

Lafayette is the train's only smoke-stop between New Orleans and Houston.  

Sunset Limited, Amtrak #1 
New Orleans to Los Angeles
 
Smoke Stop, Lafayette Louisiana

We continued a conversation 
about walls we had started earlier in the Cafe Car, with a young couple bound for Tucson, Arizona.  

"Take Hadrian's, China's, Berlin's.  Walls have not long kept anything out.  Not ideas, not people, not things!"

The young man from Tucson nodded, "It's just another of The Donald's spur-studded political footballs." 

"Sometimes with headline interference," his Wife added, "the pea hiding the shell."  She flicked cigarette ashes to the grass, and smiled.  In its moment, that falling cigarette ash burned brightly ~ though it be in descent ~ then went dark landing atop a purple clover. 

The engineer onboard blew his whistle calling them back to their smoke-free train to the Golden West.  

"Manifest Destiny all over again," she said, from inside her toxic plume of Camel Cigarette smoke.



🌎
πŸ’­  πŸ’­

πŸ’­

🚬

A mushrooming cloud of toxic fumes embraced all the World.  Our new friends ran back to the train shouting"Red-herrings distract." 

Automobiles waiting at the crossing gates revved their engines to show their toxic commitment.  

The train snaked off down the tracks.  Its last car rocked and wobbled back at us.  The automobiles drove away ~ each trailing a lingering chemical bouquet. 
Five elderly white women standing on the station platform scowled in our direction.  They each wore a big red church-lady hat, red sweaters, red dresses, and red gloves.  They each lifted red-hemmed skirts showing red soled shoes, and choo-choo-ed into the depot, with its comfortingly stable toilets.

Train toilets and politics are not stable, one of the red women said. "And there are good people on both ends of the lynch mob's rope."
                     
πŸ’₯
✍️


πŸ—£πŸ˜·


* * * * * * * * * * * 
Β© 2026 Leonard Earl Johnson, 

All Rights Reserved 

* *
βš“
~   ~   ~
Lagniappe du jour

Gandy Dancers / You Tube

πŸ”Š

πŸ”Š

πŸ’œ πŸ’š πŸ’›

This Land is Your Land 


πŸ”Š

πŸ’œ πŸ’š πŸ’› 

πŸ’œ πŸ’š πŸ’› 

www,LEJ.world βœ
 
* * * * * * * * * * * 
βš“ βš“

If  you wish to read any month's story go to the archives at www.LEJ.world (stories are posted on the first of each month and polished for the next few years.) 

Hope you do, I love talking with you,
Leonard Earl Johnson,
Columnist to the elderly and early weary. 


Β© 2026, Leonard Earl Johnson, All Rights Reserved.

Coming Next Month

⭐Continuation of the Red Women Warriors Series⭐
              www.LEJ.world http://www.LEJ.org

πŸ’œπŸ’šπŸ’›πŸ’œπŸ’šπŸ’›

Old Man on The River, New Orleans


Β© Leonard Earl Johnson 

~   ~   ~
 LEJ's Louisiana, Yours Truly in a Swamp
is a monthly e-column @ www.LEJ.world,
Hosted by GOOGLE BLOGGER,
and historically at
Les Amis de Marigny, New Orleans
publication of the
It is written by Leonard Earl Johnson
of Lafayette and New Orleans, Louisiana
 
  
πŸ—£πŸ˜·

Β© 2026, Leonard Earl Johnson, All Rights Reserve